3/22/2021 0 Comments Famous Bossa Nova
Its interesting to note that nine years later, Joo would revolutionize popular singing with the same low-pitched, whispering, vibrato-less style for which Jonas Silva had lost his job to Joo.Hes been called O Rei da Bossa, O Mito, Il Maestro Supremo, and O Zen-Baiano.Hailed as a genius, clucked over as a reclusive eccentric, and arguably the most enigmatic Brazilian alive, Joo Gilberto continues to confound his countrymen forty years after he burst upon the public scene and changed Brazilian music forever.Daniella Thompson May 1998 You do something to me Something that simply mystifies me Tell me why should it be You have the power to hypnotize me Let me live neath your spell Do do that voodoo that you do so well For you do something to me That nobody else could do.
Cole Porter (recorded by Joo Gilberto in 1990) Bossa nova, that most personal and international of Brazilian musical forms, has been blessed with numerous gifted composers. Then a certain young singer and guitarist came out of nowhere to give these songs a new vocal interpretation and a new beat. The year was 1958, and the new beat was soon known throughout the world as bossa nova. His seductive vocals caressed the ear as well as the soul, while his guitar set an insouciant swinging rhythm going. The combination was mesmerizing and highly addictive, refreshing and modern. His father, a prosperous merchant, was a stickler for education and insisted that each of his seven children obtain a school diploma. The exception was the most intelligent child: Joozinho, who from an early age was interested in only one thingmusic. By the age of fifteen, he was the leader and arranger of a boys musical group that rehearsed under an old tamarind tree in the center of town and performed regularly at social functions. The music Joo heard during his childhood in the 1940s emanated from the loudspeaker of a local store. It included U.S. hits like Caravan with Duke Ellington, Song of India with Tommy Dorsey, Dream Lover with Jeanette MacDonald, and Mnilmontant with the French singercomposer Charles Trenet. In later years, many of these old songs would find their way into Joo Gilbertos repertoire and recordings, much to the consternation of his modernist fans. By the time he was eighteen, Joo had outgrown Juazeiro and moved to Bahias capital, Salvador, to try his luck as a radio singer. Many singers of the period derived their sole income from performing on live radio shows. Traditionally, gambling casinos had provided the best employment for musicians, but when gambling was declared illegal in 1946, performers fell upon hard times, and competition for radio contracts became fierce. Joo never became a radio success in Salvador, but while he was there, someone heard him sing and liked his voice. Maria took a dislike to the intimate singing style of the groups lead singer, Jonas Silva. Complaining that Silva was singing baixinho and forcing the whole group to whisperand when it came to singing carnaval songs, they just didnt make itMaria threatened to cancel the Garotos contract unless they replaced their crooner with someone who sounded more like Lcio Alves, the highly popular founder and leader of the premier vocal group Namorados da Lua. At the time, Joo Gilberto sounded like a hybrid between Lcio Alves and Orlando Silva. The Garotos da Lua figured they were getting the best of both worlds and cabled him to come to Rio.
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